PSP is not a toy console, but a revolutionary control module for SEM synthesizer units. In May 1976, the first polyphonic 8 voice was released, based on SEM modules. Eight modules represent eight independent voltage controlled filters, sixteen voltage...
Reconstructed and prepared to work in modern conditions, an analog monophonic synthesizer module. Signal path, comparing to the original module of 1974 year of production, remained almost unchanged. Several details that are no longer available have been...
The older model in the line of modern SEM modules, combines all the additional options. For interaction with modular systems there are 21 CV inputs/outputs (3.5 mm jacks). There’s a MIDI-CV converter so that it could work with MIDI equipment. It is based...
Matrix-6R is a keyboardless version of Oberheim Matrix-6 synthesizer. Designed for placement in a standard 19" rack. The unit was used in the compositions of Larry Fast, Larry Heard, OMD, Sparks, Mel Wesson and many others.
In the 70s Tom Oberheim became famous as a talented inventor of guitar effects. Its ring modulator and phase shifter, produced under the Maestro brand, were real bestsellers. At the same time, Tom was the official dealer of ARP synthesizers in Los...
The synthesizer module, designed by Donald Buchla (Tom Oberheim did not participate in the development) to recreate the sound of two legendary families of synthesizers - Moog and Oberheim. The name is the abbreviation of Oberheim-Moog. Ob-Mx is based on...
Pro/DGX is the third generation of Soloist synthesizers. Almost the same as Pro-Soloist, although it got a brighter face and the preset switches were replaced with buttons. The main difference from previous versions is in the filter section. The first...
Pro-Soloist was introduced in 1972 as an improved replacement for ARP Soloist, later (in 1977) it was replaced by Pro-DGX. The purpose of the instrument has remained unchanged: it must complement the main polyphonic synthesizer to create solo parts. The...
Soloist, as the name implies, was intended for the performance of solo parts and should be placed on top of the main instrument. This concept conditioned the appearance of the instrument: the keys for switching presets are below the keyboard, and when...
A kind of keyboardless modification of ARP Odyssey, designed to function with a guitar. This is one of the first guitar synthesizers (a guitar-driven synthesizer would be more correct) and one of the greatest failures in the history of ARP. The idea was...
